Weekend Forecast for July 5-7, 2013

By Reagen Sulewski

July 3, 2013

Reenactments of 'love' scenes between Tiger Woods and his mistresses.

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The Fourth of July weekend is often home to one of the biggest tentpoles of the summer, which staked its claim as much as two years ahead of the fact – and then as frequent as not, disappoints. We have just the film to fit that bill this year but fortunately also something that should surpass it.

Despicable Me was the surprise animated hit of 2010, earning over $250 million on the backs of a winning and charming vocal performance from Steve Carrell, a sincere but not saccharine storyline that was also filled with a decent amount of action and slapstick absurdity, and of course, those minions. I'm convinced the little yellow gibberish spouters are responsible for about $100 million of that total, thanks to their inherent adorableness and childlike violence. It's one of the best decisions in an animated movie since Toy Story 2 decided to flesh out Woody's background.

Despicable Me 2 brings back all these elements, but instead of having Carrell's Gru being a quasi-bad guy out to prove to the world he has what it takes to be a real villain, he's drafted by the anti-villain league to fight against a new enemy (voiced by Benjamin Bratt). In addition to all the mayhem and deft swipes at the bureaucratic agencies that would have to exist in these worlds, Despicable Me 2 manages to craft a story around how Gru will deal with his new fatherhood responsibilities while being a “good guy”. Relatively standard stuff, one admits, but also a highly relevant topic (in the broader sense) for its core audience, filled with kids who want their parents around more and parents guilted within an inch of their wallets.

Opening in close to 4,000 venues, Despicable Me 2 should build handily on the original's $56 million, with the five-day opening period spreading things out quite a bit. Over three days we can expect around $72 million, with another $45 million or so prior to the weekend.


The Lone Ranger is a film that on paper has a lot going for it – a big name star teamed back up with a director that's had success bringing marginal material to the big screen, a classic, iconic franchise name, and the full backing of a major studio. Why then, does it seem like such a horrible idea to bring this concept to the big screen?

Armie Hammer stars as the title character, a Texas Ranger shot and left for dead (or perhaps actually died! dun dun dun) in post Civil War Texas and searching for justice. With his Indian sidekick Tonto... oh, and here's where things go off the rails! Johnny Depp plays Tonto, and even though he's been “adopted” by a Comanche tribe, this is not something that I really have to pretend to be comfortable with. I can accept that he's doing this with as much respect as possible and as a fully active and engaged character in the film, but it's just one of those things that's of another time. We might as well re-release Song of the South.

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