If thrillers are meant to hook and stir the audience through mood, tension, fear and uncertainty, then “Into the Labyrinth” is a legitimate thriller. Its subject matter and plot generate an unrelenting sense of darkness, sadness and consternation, while its imagery, rich and defined, creates an atmosphere that’s both dreadful and beauteous.

“The Nun” is the second highest-grossing film in the “Conjuring” series, but it didn’t really earn that title on its merits.

You could make a documentary about modern stand-up comedy and it wouldn’t have half the truth of “The Opening Act.”

The proceedings depicted in “The Trial of the Chicago 7” did not end the debate over peaceful protest in the United States.

Nutty children's horror classic Hocus Pocus is poised to dominate the box office for the month of October...

I have ominous news for “Halloween Kills,” the forthcoming sequel to 2018’s revival of “Halloween.” There is a curse.

Here’s a recurring critical dilemma: How to recommend a film that is undoubtedly very good but intentionally difficult to watch.

In a blistering rap that serves as the climax of “The 40-Year-Old Version,” multiple phrases are invoked under the acronym “F.Y.O.V.”

“Staying Alive” is the sequel to “Saturday Night Fever.”

On its face, the life cycle of the enormously significant play “The Boys in the Band” may seem a bit rote.

Maggie Q keeps getting into serious vacation trouble.

It’s a simple fact of life that parents and children, particularly adolescent children, don’t always see eye to eye.