They Shoot Oscar Prognosticators, Don't They?
First Shots Fired in 2017-2018 Oscar Race
By J. Don Birnam
December 5, 2017
The Oscar race officially entered its second phase this week when several critics groups began handing out their prizes for the top films of the year. But no immediate favorite or consensus emerged among the various contenders, with movies from Call Me By Your Name to Lady Bird to even The Post all getting top honors. Nor did the acting races, for the most part, seem ready to be called just yet. More will happen in the next two weeks when Globe and SAG voters reveal their nominations but for now, let’s take a look at what the early critics’ awards mean.
Best Picture: No Clear Favorite Yet
Coming out of Toronto, it was natural to wonder whether People’s Choice winner Three Billboards Outside Ebbing, Missouri was the film to beat. And while Martin McDonough’s dark humor satire of American life has continued to wow audiences since its theatrical release, its fate at the Academy Awards is now a bit more uncertain.
Since then, however, Three Billboards has seen little action awards-wise. Early in the week, the Gotham Independent Spirit Awards named the gay love story by Italian director Luca Dugadino Call Me By Your Name (or CMBYN for short) their favorite film. Later in the week the sort of non-predictive National Board of Review went gaga for Steven Spielberg’s new movie The Post, giving that their top prize, while the New York Film Critics Circle went for a different coming of age story, Greta Gerwig’s Lady Bird. And on Sunday, the Los Angeles Film Critics Association spoke up and also rewarded CMBYN the best movie. LAFCA always has a runner-up, but this year they gave it to the indie film The Florida Project.
Many people will dutifully point out that critics are not Oscars voters and that is all well and true, but the tastes of the two have started to converge in the last few years as the Academy has pushed to make their membership more diverse and younger. Consider that LAFCA predicted Best Picture the last two years in a row, after only guessing once in the last ten, the year of The Hurt Locker. Could an LGBT-themed movie really win Best Picture two years in a row?
Consider also that no movie released at Sundance has ever made it all the way to the top at the Oscars. So while CMBYN is probably now at least as likely to win as Three Billboards, it truly seems like it is still anybody’s game.
Check out our debut Best Picture power rankings: here.
Lead Acting: Two Young Stars To Win It All?
The lead acting races have also not gone as expected. I fully expected Gary Oldman to be the prohibitive favorite for a number of different reasons following the spectacular Darkest Hour. Instead, it has been young Timothee Chalamet from CMBYN who has taken most awards, scoring a clean sweep of New York, Los Angeles, and Gotham, with only the NBR going for Tom Hanks in Spielberg’s film. Of course Oldman could still win - again, consider the age difference that may characterize Oscar voters from critics - but things are looking mighty strong for young Elio to take home the top awards. Meanwhile, James Franco has also received a citation for his work in The Disaster Artist, though the Best Actor field remains weak.
Here are our debut rankings for that race.
The lead actress race is no less confounding. The list of contenders is longer than one can keep track of, with leads apparently switching every day. But there is no question that the young and talented Saoirse Ronan is now the small favorite for her moving performance in Lady Bird. It may not even be the best performance of the year, but she has been an Academy darling since her debut in Atonement and was robbed of the Oscar the year of Brooklyn. Her nomination seems a guarantee but watch out, because comedic turns rarely do well in lead acting races.
Meanwhile, the NBR (did we mention they loved The Post?) also went for that movie’s lead actress, Meryl Streep, who seems headed for her 158th nomination. But Saoirse won both New York groups only, and Los Angeles went for Sally Hawkins’ incredibly touching silent performance in The Shape of Water, so the race remains tight. Los Angeles also gave Frances McDormand a runner-up citation for her work in Three Billboards, so while the list is whittling down, it is still anybody’s guess.
Check out the debut Best Actress rankings here