Weekend Wrap-Up
Dracula Has No Teeth Versus Gone Girl
By John Hamann
October 12, 2014
That puts The Equalizer down to sixth, as Denzel Washington gets equalized by all of this new product. Now in its third weekend, the thriller earned another $9.7 million, off a large 48% compared to the $18.8 million it earned last weekend. Still, the $55 million film is doing very well, as it has picked up $79.9 million stateside so far, along with another $40 million overseas.
Seventh is Addicted, the new Africa-American erotic drama from Lionsgate. Addicted earned $7.6 million from only 846 theaters, giving it a decent venue average of $8,983. The other thing hot about this one is cost versus gross, as Addicted cost only $3 million to make, so has already earned its production budget back. This is similar to Annabelle but on a smaller scale.
Eighth is The Maze Runner, which despite all the new films and a drop in rank from fifth last weekend to eighth this weekend, it still held well. In its fourth weekend, The Maze Runner earned another $7.5 million, off 36% compared to its take last weekend. The $34 million film has rampaged worldwide, as it has a domestic gross of $83.8 million and an overseas gross of $120 million, pushing it past the $200 million worldwide mark. The sequel to The Maze Runner is going to be huge.
The Boxtrolls end up having a terrible, horrible, no good, very bad day, as Alexander impedes its progress. In its third weekend, The Boxtrolls earned $6.7 million, down 44% from its $12 million gross last weekend. The $60 million Laika production is still holding its own, though, as it has earned $41 million domestically so far and is approaching the $30 million mark overseas, despite being out to only a few territories.
Finishing in 10th is Left Behind, Nic Cage’s rapture flick that debuted to laughs and $6.3 million last weekend. This weekend, Left Behind earned $2.9 million, off 54% compared to last weekend. Made for $16 million, this one has earned $10.9 million, so the producers may need a loan from the Mormons, who we'll talk about next.
In 11th is Meet the Mormons, a documentary about… Mormons, I guess. It somehow earned $2.7 million from 317 screens, making someone rich.
In limited release, Jeremy Renner’s Kill the Messenger got started this weekend on 374 screens, and picked up $939,000, giving it a tough venue average of $2,511. Opening at four theaters is Bill Murray’s St. Vincent, which picked up a much more impressive venue average of $30,264. Overall this weekend, the top 12 films at the box office earned $138 million, well beyond the $107 million that last year’s top 12 pulled in when Gravity and Captain Phillips were on top. Next weekend should also be big at the box office, as Brad Pitt’s Fury opens, along with The Best of Me, a Nicholas Sparks weeper, and The Book of Life, the new animated feature with Zoe Saldana and Channing Tatum.
1 |
Gone Girl |
Fox |
$26,800,000 |
- 29% |
$78,281,200 |
2 |
Dracula Untold |
Universal |
$23,456,875 |
New |
$23,456,875 |
3 |
Alexander And the Terrible, Horrible, No Good, Very Bad Day |
Disney |
$19,100,000 |
New |
$19,100,000 |
4 |
Annabelle |
WARNER BROS. |
$16,365,000 |
- 56% |
$62,156,000 |
5 |
The Judge |
WARNER BROS. |
$13,330,000 |
New |
$13,330,000 |
6 |
The Equalizer |
The Weinstein Co. |
$9,725,000 |
- 48% |
$79,885,000 |
7 |
Addicted |
Lionsgate |
$7,600,000 |
New |
$7,600,000 |
8 |
The Maze Runner |
Fox |
$7,500,000 |
- 36% |
$83,839,800 |
9 |
The Boxtrolls |
Focus Features |
$6,676,000 |
- 44% |
$41,032,412 |
10 |
Left Behind |
Freestyle |
$2,909,000 |
- 54% |
$10,919,872 |
11 |
Meet the Mormons |
Purdie Distribution |
$2,700,000 |
New |
$2,700,000 |
12 |
Guardians of the Galaxy |
Disney |
$1,807,000 |
- 40% |
$326,077,000 |
|
Also Opening/Notables |
|
Kill the Messenger |
Focus Features |
$939,000 |
New |
$939,000 |
|
Whiplash |
Sony Classics |
$143,503 |
New |
$143,503 |
|
St. Vincent |
|
$121,054 |
New |
$121,054 |
|
One Chance |
Weinstein Co. |
$32,800 |
New |
$32,800 |
|
Christian Mingle: the Movie |
Rocky Mountain Pictures |
$20,500 |
New |
$20,500 |
|
Awake: the Life of Yogananda |
Counterpoint Films |
$18,303 |
New |
$18,303 |
|
The Overnighters |
Drafthouse Films |
$4,750 |
New |
$4,750 |
|
The Good Lie |
WARNER BROS. |
$550,000 |
- 35% |
$1,703,000 |
|
Bang Bang |
Fip |
$465,000 |
- 64% |
$2,214,200 |
|
Men, Women & Children |
Paramount |
$44,000 |
- 7% |
$129,000 |
|
Nas: Time Is Illmatic |
Tribeca Film |
$15,650 |
- 32% |
$151,366 |
|
Pride |
Lionsgate |
$230,000 |
+127% |
$555,632 |
|
This Is Where I Leave You |
WARNER BROS. |
$1,645,000 |
- 59% |
$32,116,000 |
|
A Walk Among the Tombstones |
Universal |
$387,810 |
- 81% |
$25,701,945 |
|
Hector And the Search For Happiness |
Relativity |
$100,000 |
- 56% |
$795,635 |
|
Tracks |
Weinstein Co. |
$63,000 |
- 32% |
$338,412 |
|
Dolphin Tale 2 |
WARNER BROS. |
$1,320,000 |
- 61% |
$39,945,000 |
|
No Good Deed |
|
$990,000 |
- 60% |
$51,766,000 |
|
The Skeleton Twins |
Roadside Attractions |
$450,000 |
- 37% |
$4,250,000 |
|
My Old Lady |
Cohen Media |
$318,897 |
- 33% |
$2,786,015 |
Box office data supplied by Exhibitor Relations
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