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Fourth spot goes to Prisoners, which can’t seem to get it back together after a decent opening of $20.8 million. Last weekend, Prisoners dropped 48% to $10.9 million, and this weekend it follows the same trajectory. Prisoners earned only $5.7 million as it falls another 47%. After that great opening, Prisoners is just at the point of making its $46 million production budget back, but will likely only make $10 million more, which means it will have to rely on overseas grosses for Warner Bros. to see any kind of profit. So far, Prisoners has pulled in $47.9 million, as the once bright light has been quickly extinguished.

Fifth goes to Rush, another Oscar worthy film going down in flames at the domestic box office. Rush, Ron Howard’s ode to Formula One racing, went wide last weekend and pulled in an unexciting $10 million (or what Gravity earned by Friday afternoon). This weekend, things got worse as the racing film pulled in only $4.4 million and fell 56%. Rush will now do even worse than Prisoners on the domestic front, because it will not even earn the $38 million it cost to make stateside ($28 million will be a stretch). Where it will do well though is overseas, where it has already earned 30 million. Thus, the worldwide take will keep this one from going up in flames. Give Rush $18.1 million at the domestic box so far.

Sixth is Don Jon, another arty Oscar beggar that is flailing. The Joseph Gordon-Levitt release got off to a decent start last weekend with $8.7 million, but falls 52% this frame to $4.2 million. These films are receiving terrific reviews but they're not holding, and we can’t blame Gravity for everything. Again, production costs were low here at $6 million, but Relativity committed to spending $20 million plus on advertising, and Don Jon has only earned $16.1 million so far.

Seventh is Baggage Claim, another film that got off to decent start last weekend ($9 million in this case) but can’t hold. In its second weekend, the Paula Patton release earned only $4.1 million, which means it dropped 54%. Made for only $8.5 million, this Fox Searchlight release is heading quickly for the exits.

Eighth is Insidious Chapter 2, the horror flick that won’t be around for Halloween. Insidious Chapter 2 earned $3.9 million in weekend four, good for a drop of 41%. Chapter 2 turned into a big hit for FilmDistrict and Jason Blum, as the on-paper cost was $5 million and the gross so far has reached $74.8 million.

Pantelion Films strikes again as they come up with another top 10 finish. Instructions Not Included may no longer hold a spot, but it's been replaced with Pulling Strings, a bilingual film set in the world of mariachi. Opening in only 387 locations, Pulling Strings earned $2.5 million and comes up with the second best per venue average in the top 10. Lionsgate has made a very smart move creating this niche distribution arm, because it's clear that the Latino audience will support the films being produced here.

Finally, 10th place goes to Enough Said, the Julia Louis-Dreyfuss/James Gandolfini romantic dramedy. Fox Searchlight added another 210 theater this weekend, and the result was a slight increase in box office. The extremely well-reviewed film earned $2.2 million, up 2% compared to last weekend. So far, this small film has earned $5.4 million.

Overall this weekend, Gravity saves the day because without it, theaters would be crying the blues. The top 12 films this weekend pulled in $115 million, well back of last year when Taken 2 earned almost $50 million leading the top ten to $132.7 million. Next weekend will bring the showdown between Captain Phillips and Gravity, as the two Oscar contenders go head to head, along with the debut of Machete Kills.

Top Weekend Box Office for 10/4/13-10/6/13 (Estimates)
Rank	Film	Distributor	Estimated Gross	Weekly Change	Running Total
1	Gravity	WARNER BROS.	$55,550,000	New	$55,550,000
2	Cloudy With a Chance of Meatballs 2	SONY	$21,500,000	- 37%	$60,557,000
3	Runner Runner	Fox	$7,600,000	New	$7,600,000
4	Prisoners	Warner Bros. Pictures	$5,700,000	- 48%	$47,880,000
5	Rush	UNIVERSAL	$4,408,280	- 56%	$18,094,599
6	Don Jon	Relativity	$4,160,000	- 52%	$16,077,317
7	Baggage Claim	FOX SEARCHLIGHT	$4,125,000	- 54%	$15,185,100
8	Insidious: Chapter 2	Filmdistrict	$3,876,000	- 41%	$74,749,587
9	Pulling Strings	Lionsgate/Pantelion	$2,500,000	New	$2,500,000
10	Enough Said	FOX SEARCHLIGHT	$2,150,000	+ 2%	$5,386,600
11	Instructions Not Included	Lionsgate	$1,850,000	- 47%	$41,266,096
12	We're the Millers	New Line Cinema	$1,610,000	- 43%	$144,900,000
	Also Opening/Notables
	Grace Unplugged	Roadside Attractions	$1,000,000	New	$1,000,000
	Parkland	Exclusive Media	$335,438	New	$335,438
	Linsanity	Ketchup Entertainment	$103,000	New	$103,000
	A.c.o.d.	The Film Arcade	$20,047	New	$20,047
	Nothing Left To Fear	Anchor Bay	$7,308	New	$7,308
	All Is Bright	Anchor Bay	$4,088	New	$4,088
	Metallica: Through the Never	Picturehouse	$700,000	- 56%	$2,750,000
	Inequality For All	Radius/twc	$125,000	- 11%	$325,000
	Muscle Shoals	Magnolia	$10,000	- 28%	$27,500
	Wadjda	Sony Classics	$125,971	+ 71%	$466,437
	The Family	Relativity	$1,473,000	- 61%	$34,578,903
	Lee Daniels' the Butler	Weinstein Co.	$1,188,000	- 51%	$112,365,740
Box office data supplied by Exhibitor Relations

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