I've seen three 2004 releases so far this weekend. The first was The Bourne Supremacy, which was another excellent spy thriller. Though it does appear to deviate almost completely from the Ludlum novel, the sequel to The Bourne Identity totally grasps what made the first film work and carries it over to a cunningly crafted follow-up.
Catwoman, on the other hand, is almost certainly the worst film of the year, though I do waver between it and Two Brothers (it's a bad time to be a kitty cat). It has ludicrous dialogue, laughable acting performances, and a story that is only coherent when it is cliched. I would have liked the film much, much more if instead of Frances Conroy, the crazy cat lady looked a little something like this:
And finally, I also saw The Clearing. This film had marvelous, measured performances from two actors I really admire - Helen Mirren and Willem Dafoe - and Robert Redford was brilliant as well. Unfortunately, the movie itself was too plodding and devoid of any real emotion to leave a lasting impression. Even worse, I had an unbelievably stupid couple sitting right behind me, basically narrating every step the film took. "Oh, look. He's writing her a letter." "Oh, wow. It was really dumb of him to do that." "Oh, no! Why wouldn't she have brought help!" People. It's a movie. With fake characters and stuff.
It's possible my entire "The Clearing" experience might have been tainted by their presence, no?
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