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I probably don’t even have to explain the nostalgia factor of Star Wars: The Force Awakens. Many argue that the film is a loving remake of A New Hope, or alternately, a movie that presents Star Wars’ Greatest Hits. Whereas the prequels went backwards in time in an effort to build a story (about characters people perhaps didn’t care about), The Force Awakens brought back such beloved characters as Han Solo, Chewbacca, Princess Leia, R2-D2, C-3PO and Luke Skywalker. People cared about what happened to them 30 years down the line, and the film might very well have been sold by one single Han Solo line in the previews: “Chewie, we’re home.” You know the rest of the story. In June, Jurassic World became the biggest opener of all time with $208.8 million and would eventually earn $652.3 million domestically. Then, of course, its record was demolished by The Force Awakens in December when it debuted with $248 million, and the latest installment of Star Wars went on to become the biggest grossing film ever in North American history. The Misses The formula wasn’t foolproof, though. A few films tried to cash in on the nostalgia trend without success. Most notable amongst these was Jem and the Holograms, a film adaptation of a 1980s animated series. Although people were embracing the ‘80s as a decade, moviegoers could sense the cynicism dripping from this project. It was obvious that the movie was greenlighted because it had a fan base, but then no care whatsoever was given to the actual production. It would finish with a lifetime gross of $2.2 million. Other films that failed to cash in were Vacation (which took a beloved concept and obviously turned it into garbage) and Terminator: Genisys, which brought back Arnold Schwarzenegger in the Terminator role, but had to replace Linda Hamilton and Michael Biehn as Sarah Connor and Kyle Reese. Both films were able to trick some unsuspecting viewers on the strength of their name, but audiences could sense that the projects were bungled terribly. Even with those (and perhaps a couple of other) missed opportunities, movie audiences flocked to theaters to celebrate nostalgia in 2015. It’s a trend that we may see continue in 2016, depending on how such projects as My Big Fat Greek Wedding 2, Zoolander 2, Independence Day: Resurgence, Ghostbusters and even Fantastic Beasts and Where to Find Them are handled.
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