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Even in 2012, Pixar already knew that Inside Out would theoretically appeal to the same people who had just collectively shrugged at Brave. The pressure was on. That was true in the early days of Inside Out production, and then the situation escalated in 2013. While Disney was still basking in the glow of Monsters University’s unexpected popularity in becoming their third most popular global release, Pixar knew they had a problem. Their anchor 2014 title, The Good Dinosaur, simply wasn’t ready for primetime. In September of 2013, they delayed The Good Dinosaur until the holiday 2015 season, thereby taking Pixar off the 2014 box office calendar. For the first time since 2005, they wouldn’t release a movie during a calendar year. The studio felt the ramifications of this almost immediately. By November of 2013, company execs accepted that they were carrying too much staff while having no upcoming revenue. 67 Pixar employees lost their jobs only weeks before Christmas. It was one of the lowest moments in the history of their business. With a black mark on their resume, no 2014 release impending, and The Good Dinosaur now slotted after Inside Out, the female-friendly project became one of the most important since the early days of Pixar. People involved with The Good Dinosaur understood that no matter how much they changed it, they had a bomb on their hands. That perspective proved perceptive.
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