Selling Out

By Tom Macy

February 22, 2010

Rachel Getting Venom

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But subprime mortgages, credit default swaps and asset-backed securities (I can use the internet!) are not the only reason for the box office surge we've seen lately. Another conceivable explanation is the addition of another dimension, which also conveniently correlates to ticket prices. It turns out 30% more dimension costs 30% more dollars. Movie-goers may have been clever enough to fool Hollywood once when they convinced them that 3D movies were the answer to falling attendances when TV came along in the 1950s. But they weren't quite cunning enough to fool them twice. This time, 3D, spearheaded by that little Cameron film, has taken off in a big, big way and shows no sign of slowing down. Unless 3D makes like the Backstreet Boys and evaporates, I think we're looking at a movie going world where every animated or event film is released in 3D and costs $16. Hoo-hah.

Still there's that previous mention of how the quality of films affected the box office ebbs and flows. You didn't think studios were going to let the stock market and technology take all the credit? Heck no. Many of them claimed the cause of the drought to begin with was poor quality films; therefore, the reason for the turnaround must mean they started making good ones. How else can you explain the success of Taken and Paul Blart in January of 2009? Or the summer-esque opening of Fast and Furious in April? How about The Blind Side pushing $250 million? Transformers: Revenge of the Fallen breaking $400 million?

To be fair, these movies aren't worse, just about the same. This wouldn't bother me if they all hadn't said bad movies were at the root of the problem back in 2005. If they really believed that, why didn't we see some different kinds of movies released in '06 or '07? There were certainly more of them. In 2006, 61 more films were released than in '05, which helped to improve things financially, at least enough for positive spinning. But when placed next to each other, the list of top grossers of the last few years look pretty darn similar.




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So Hollywood is singing the same tune and for some reason more people are going to movies now. Who the hell really knows why? If anyone thinks they do, they're deluding themselves. Explanations are easy when you're the Monday morning quarterback. But no one ever can predict accurately how a film will perform.

Nevertheless, Hollywood will do its best to give us what they think we'll pay the most for, telling themselves there's a correlation between good movies and success. So we can look forward to more Sherlock, Chipmunks and soon-to-be Oscar winner Sandra Bullock (believe it), not to mention movies with a million cast members. Seriously, are there any name actors that didn't have a movie open over President's Day? If you include television stars and believe that Joe Pantoliano and Hector Elizondo are not in fact the same person I count 26. That's insane.

Don't get me wrong. I know the quality of commercial films will always be middling. I understand they have to be broad enough to reach the biggest audience. The only bone I have to pick is when studios think whether a movie is popular or not has to do with its quality. They're smart people over there. They know a good script from a bad one. But are they really interested in making a good film? No, they're interested in making a profitable one. Was there ever a chance G. I Joe would be good? No. Profitable? Yes. So, when it comes to commercial films, the terms good and bad just shouldn't apply. Because clearly it makes no difference.


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