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Hello, and welcome to the ninth annual 12 Days of Box Office here at BOP. This year is going to be a bit more interesting than usual due to the calendar configuration. Christmas hasn't fallen on a Friday since 1998 (Leap Year screws up everything, doesn't it?). As always, BOP stresses that historical precedent is huge with regards to late December box office behavior. Unfortunately, 1998 was still the early days of the box office frontloading era, making the value of such data debatable. I mean, we have to go back a full reboot and two bombs in the Star Trek franchise to get back to the last Christmas Friday period. Keeping this in mind...

For those of you new to the process, the time frame of the week before Christmas to the third day of January is the most lucrative box office period on the calendar. The end result of this is that most films will experience daily revenue on a par with a Friday, sometimes even a Saturday. So, we are looking at a 12-day period wherein all films in release experience a run of a dozen consecutive Fridays, give or take a bit. This is a blueprint example of a rising tide lifting all boats.

There is one story that will dominate the 12 Days of Box Office and it is of course Avatar. James Cameron, whose last film pre-dates 1998, spent the past dozen years waiting for technology to catch up to his imagination. Now that this has finally happened, he is once again shredding the box office world. After earning $77.0 million over the weekend, a record total for a new intellectual property, Avatar continued its hot streak yesterday. It earned $16,385,820, a decline of only 33.8% from Sunday's $24,744,346. In terms of percentage drop, it had only the sixth best holdover from Sunday.

That doesn't sound so great, right? Well, we should probably factor in the fact that it also earned more than everything else in the top 12 combined, meaning that its 33.8% drop is exponentially better than say A Christmas Carol's 25% decline from $1,175,590 Sunday to $881,362 Monday. Avatar is only down 38.8% from Friday's $26,752,099 debut. That is a remarkable demonstration of staying power, one that will bear watching throughout the rest of the columns in this series.

Currently sitting at $93,411,301, Avatar has already crossed the $100 million mark by the time you read this, although that won't be confirmed until tomorrow's numbers are released. It has a chance to hit the $200 million mark by Sunday, Tuesday at the latest by my current calculations. It appears likely to become the seventh (!) 2009 release to cross $250 million. If it keeps on its current pace, no sure thing since we've only got four days of comparison data thus far, it will wind up being the third film to cross $300 million as well. I'm not ready to say that Transformers: Revenge of the Fallen is in jeopardy of losing the title as biggest film of 2009 just yet, but even that cannot be ruled out just yet. All of us who were around for Titanic know that it's reckless to pass final judgment on James Cameron films after only a few days. His films have demonstrated...staying power. No one is expecting a repeat performance of Titanic here in terms of final box office multiplier (we'd be talking about a domestic total in excess of $1.5 billion if it did), but the glowing word-of-mouth on Avatar makes it something of a potential runaway train of box office.

Daily Box Office for December 21, 2009
RANK	TITLE	DISTRIBUTOR	GROSS	THEATRES	AVG	TOTAL
1	AVATAR	FOX	$16,385,820	3,452	$4,747	$93,411,301
2	THE PRINCESS AND THE FROG	WALT DISNEY	$2,915,921	3,475	$839	$47,633,642
3	THE BLIND SIDE	WARNER BROS.	$2,001,418	3,407	$587	$166,726,943
4	DID YOU HEAR ABOUT THE MORGANS?	SONY	$1,085,573	2,718	$399	$7,702,144
5	THE TWILIGHT SAGA: NEW MOON	SUMMIT	$917,582	3,035	$302	$275,515,901
6	A CHRISTMAS CAROL	WALT DISNEY	$881,362	2,070	$426	$131,694,716
7	INVICTUS	WARNER BROS.	$746,201	2,125	$351	$16,624,157
8	BROTHERS	LIONSGATE	$549,047	2,009	$273	$22,898,909
9	UP IN THE AIR	PARAMOUNT	$526,064	175	$3,006	$8,742,115
10	OLD DOGS	WALT DISNEY	$487,611	2,630	$185	$44,113,082
11	2012	SONY	$447,336	2,242	$200	$159,476,032
12	PRECIOUS	LIONSGATE	$235,873	1,003	$235	$40,320,285
13	ARMORED	SONY	$230,827	1,538	$150	$14,485,441
14	PLANET 51	SONY	$229,870	1,349	$170	$38,726,640
15	NINJA ASSASSIN	WARNER BROS.	$178,268	1,155	$154	$36,597,803
16	FANTASTIC MR. FOX	FOX	$162,081	540	$300	$17,547,997
17	THE ROAD	WEINSTEIN	$140,214	396	$354	$5,067,163
18	EVERYBODY'S FINE	MIRAMAX	$107,326	1,003	$107	$8,962,972
19	NINE	WEINSTEIN	$33,024	4	$8,256	$290,256
20	COUPLES RETREAT	UNIVERSAL	$32,340	294	$110	$107,895,565
21	A SINGLE MAN	WEINSTEIN	$23,308	9	$2,590	$498,506
22	ASTRO BOY	SUMMIT	$21,375	252	$85	$19,190,038
23	PARANORMAL ACTIVITY	PARAMOUNT	$18,749	237	$79	$107,621,849
24	THE MEN WHO STARE AT GOATS	OVERTURE	$18,318	207	$88	$31,865,922
25	LAW ABIDING CITIZEN	OVERTURE	$18,027	151	$119	$72,461,538
26	A SERIOUS MAN	FOCUS	$17,114	117	$146	$8,912,008
27	THE FOURTH KIND	UNIVERSAL	$14,630	217	$67	$25,284,580
28	WHERE THE WILD THINGS ARE	WARNER BROS.	$13,987	123	$114	$75,803,673
29	PIRATE RADIO	FOCUS	$12,401	242	$51	$7,842,405
30	CRAZY HEART	FOX SEARCHLIGHT	$11,156	4	$2,789	$119,152
31	THE BOX	WARNER BROS.	$8,521	131	$65	$14,970,452
32	THE LOVELY BONES	PARAMOUNT	$8,040	3	$2,680	$208,727
33	AMELIA	FOX SEARCHLIGHT	$3,970	65	$61	$14,176,076
34	NEW YORK, I LOVE YOU	VIVENDI	$1,050	11	$95	$1,586,909