Viking Night: Alien

By Bruce Hall

February 1, 2017

Fare thee well, John Hurt.

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But you know those horror movies where a bunch of stupid kids are cornered by an axe wielding maniac in a secluded cabin? This is basically that, except in space. And the kids are adults, and instead of idiots, they’re well trained professionals doing everything they can to survive. What I’m trying to say is that in the wrong hands, this could have been the atrocity that was Jason X, ten years earlier. Instead, Alien represents that elusive trifecta where all the right people seem to be in the right place at the right time.

Ridley Scott and his creative team (including H.R. Geiger and design legend Ron Cobb) crafted a plausible looking future where the shittiest jobs in the universe are apparently no better than they are today. It’s a testament to the film’s design that aside from the abundance of old style CRTs in the background, it’s hard to tell when it was made. But it’s a well written script (by geek-lord Dan O’Bannon) makes good economy of dialogue and screen time. By the time the action begins you may not know everyone’s birthday, but there’s no doubting where they stand.

Dallas is a super chill dude who takes his job seriously but just wants to get the hell home. Brett and Parker are a pair of eminently competent gearheads who spend the first half of the film grousing about their pay, and giggling about female anatomy. Ash is humorless bureaucrat who vaguely resembles a tall Hobbit. Lambert comes across like a plate of cold spaghetti, and clearly feels competitive with Ripley. Point is, once things get rolling, it’s not just a series of chases and murders until the top of the third act. Nor is it a mere disaster movie in space, where a contrived comedy of errors drives the story from scene to scene.




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The look and feel of the film draw you in viscerally, and you get to know just enough about the characters for their crisis management skills to bear up to interest. And although in some ways it may seem quaint in comparison to its countless derivatives, on the whole I can’t imagine watching Alien and not being completely pulled into the story, even knowing it as well as I do. Yes, the Alien is clearly just a guy in a suit. But this is still an exciting, engaging adventure populated with smart characters, brilliant art design and characters actually smart enough to get themselves OUT of trouble.

Just...not lucky enough to quite pull it off.

And as for John Hurt, this is of course not his biggest nor his most famous role. But, nerd that I am, it’s the first thing that pops into mind when I think of him (and if you’ve seen the movie, you know what I just did there). But truly, what a career. You don’t even realize how many great films he’s been in until you take the time to look. All that, AND science fiction’s second most famous package (next to Jeff Bridges, obviously). I suppose you know you’re a legend when you can live such a long and fruitful life, yet still seem gone far too soon.


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