In Contention: The Golden Globes
By Josh Spiegel
January 18, 2010
BoxOfficeProphets.com

I can touch those funbags anytime I want, even though I look 70.

Well, all the votes are in, all the tequila has been gulped, and as the hangovers in Hollywood continue today, we can go over who won at last night's Golden Globes ceremony, and what it means for a few films at the upcoming Academy Awards. The Golden Globes, as always, are inexplicable and full of surprises. This year was no different. That is, unless you had predicted that The Hangover and Avatar would be crowned the Best Comedy or Musical and Best Drama of the year. Unless you predicted Sandra Bullock would get the Best Actress in a Drama award for The Blind Side. If you got those ones right, congratulations, you are the winner of your office pool, by far. Lucky you.

No one movie dominated last night, as the top winners got two Golden Globes. And there were quite a few of those movies, including Crazy Heart, Avatar, and Up. There were some awards that weren't surprising at all; though there could be lots of twists and turns on the road to the winners for some categories, Christoph Waltz and Mo'Nique, the winners for Best Supporting Actor and Best Supporting Actress, will be nominated for their respective categories on February 2nd, and they'll win on March 7th. I'd like to say that you read it here first, but let's be honest; everybody's been aware that these categories are sewn up. Though we'll find out soon enough, I did predict that these two would win at the Globes. Two for two so far.

And, since I'm trying to prolong the agony of being wrong in so many ways, let's go with my third correct prediction, even if it was out of left field: Robert Downey Jr. in Sherlock Holmes. As Downey noted in his acceptance speech (or, based on how he delivered it, his not-acceptance speech), the Hollywood Foreign Press Association is a strange bunch. Why Downey over Joseph Gordon-Levitt? Why not? Looking for logic in what the HFPA does is akin to going insane. There's no point, so why figure things out? If anything else, Downey is now a movie star, he's well-liked, he's funny, and he's charming. Awards like these don't take into consideration whether something is deserved. Deserve has nothing to do with it, but Downey, who has no chance of an Oscar nod, will take his Globe and be happy with it.

Another correct prediction of mine was Meryl Streep winning the Best Actress in a Comedy or Musical for Julie & Julia. Her likely competition for the award will come from the woman who won for the Best Actress in a Drama category, Carey Mulli...oh, wait. Yes, I was very wrong here. The winner is Sandra Bullock in The Blind Side. Alongside the tie between Streep and Bullock at last week's Broadcast Film Critics Association Awards, it's safe to say that the race could be between these two women. Both are popular (though Streep's popularity is on the rise), both are in popular movies, and neither has made any enemies in the Hollywood community. I'm willing to say there won't be a tie at the Oscars, but if one of these two women doesn't get the Oscar, it'll be surprising.

Surprising, of course, is what the Golden Globes do best. The frontrunners for the Best Picture Oscar have, for the last month, been Avatar, The Hurt Locker, and Up in the Air. Still, Avatar's winning the Golden Globe for Best Picture and Best Director were not as solid. I, of course, was banking on Up in the Air and Kathryn Bigelow, for directing The Hurt Locker, to win. I was wrong; it was nice, though, for James Cameron to acknowledge Bigelow's contribution in his acceptance speech for Best Director. What does this mean for Avatar's chances at the Oscars? To be fair, its chances have been pretty damn good since it came out to rave reviews and even bigger box office. That the Globes awarded it doesn't mean anything is guaranteed (though the Globes are seen as a major precursor, I shudder to think that many Academy voters base their choices on how the HFPA honors films), Avatar is going to be nigh unstoppable. This movie might steamroll past the competition, just as Titanic did 12 years ago.

Cameron and Bigelow, though, remain neck-and-neck for the Best Director award. Cameron winning last night is a major blow against The Hurt Locker, if the conventional wisdom is to be believed. Arguably, the amount of technical prowess in Avatar is unparalleled. Such jaw-dropping techniques could help out Cameron against Bigelow and her smooth, yet not flashy, direction of The Hurt Locker. That's not to say that there aren't other directorial contenders, but this ex-husband-and-wife duo are likely the top vote-getters in the Academy.

What of The Hangover winning Best Comedy or Musical? Uh...well, I'd love to tell you that there's absolutely no chance of it getting an Oscar nomination. Not just because it's unlikely, but because I don't see it as being one of the top ten films of 2009 (yes, it was funny, but...ten-best quality? No.). However, that conventional wisdom can sometimes be seen as the truth, not just marketing. Does The Hangover have a chance? Yes. Now that there are ten Best Picture nominees, it stands as much a chance as Star Trek, District 9, Up, and other populist movies. But, its chances are not as high as the other popular films I mentioned. Don't count it out, but don't count on it being on the list of ten nominees.

Most of the other winners weren't too surprising; though I chose the incorrect winner, The White Ribbon winning the Best Foreign Language film isn't too surprising, as it may be the most well-known movie of the five nominees. Up won for Best Animated Feature and for Best Original Score, as I'd hoped and predicted. I still think that, when it comes to the Oscars, Marvin Hamlisch's work on The Informant! is the frontrunner, if only because the Oscars love honoring its elder members, especially after such a long time not doing any work. Still, Michael Giacchino's work for Up is a strong contender. Jason Reitman and Sheldon Turner won the Best Screenplay award for Up in the Air, as I'd assumed. For Best Adapted Screenplay at the Oscars, this is the movie to beat.

Which leaves us with one movie, and two more winners: the movie is Crazy Heart. Jeff Bridges, who I'd rightly chosen as a potential shocker for the Best Actor in a Drama award (yes, I got the actual prediction wrong, fine), and The Weary Kind, the Best Original Song nominee, were the winners. What does this mean for Crazy Heart? Well, it's been picking up some major steam in the last few weeks, not just for the music and for Bridges' apparently amazing performance (I've not yet seen the movie, for disclosure). Scott Cooper, the writer-director, has been getting some heat, and may show up in the appropriate categories. More than that, Crazy Heart is now officially a serious contender for the Best Picture award. Do not be surprised if this film sneaks in come Groundhog Day. Just as Harvey Weinstein (who pretty much came up empty here) is tenacious about his movies, so is Fox Searchlight about theirs. Keep a sharp eye out for this one.

The Golden Globes are taken seriously. They are taken a bit too seriously. Exhibit A: the odd little award bestowed upon this year's most beautiful young woman, so she can be the model behind the presenter for each award. It happens every year, and it's just...strange. Exhibit B: the fact that everyone uses the ceremony as an excuse to drink. Ricky Gervais (who was funny, thank you very much; don't forget, he was being sarcastic all night long) was drinking, the presenters were drinking, the winners were drinking. How seriously can we take the Globes? They're not always wildly wrong, but when they are, it shows. The Globes are but a pregame for the Oscars. In two weeks, we'll have a lot less to speculate on, but for now, we're all still clueless. To quote William Goldman, nobody knows anything.